Production - Fashion Studio, O2 Pictures Movement - Vignarajan
Music by - Pradeep Kumar
Release Date - 24 November 2020
Time - 2 hours 51 minutes
Rating - 2.5 / 5
Type of Release- OTT
What is a movie made for ?. Only when it is in a way that is understandable to the average viewer will there be a meaning to the making of the film.
What if he puts all the tricks he has learned in one film and confuses the viewer with confusion? The director of the film Vignarajan is taking an interesting story.
But the big problem with the film is that we have to think about what happens in the name of telling it differently without setting the screenplay in a way that everyone can understand. Just before the climax is coming to understand what is happening. Could it have been even better if it had been given with a clear screenplay ?.
The film is a story that takes place between three important characters. Vinod Kishan, who is blind, works in the government library. He needs money for surgery. Arjun Das, who is a cricket coach, is often threatened by someone on the phone. Kumar Natarajan, a psychiatrist, was shot by one of his patients and is recovering from hospital treatment. Once again the doctor wants to prove his well-being and work again as he has been banned from seeing the profession. What issues the trio face and what adds them together is the overall screenplay of the film.
In terms of acting, both the main characters and the supporting characters have realized and acted their roles.
The director has been assisted by the technical team as well as the houses, backgrounds and lighting suitable for the mental flow of the characters.
At the same time, the length of the film and the confusing screenplay test our patience too much.
Vinod Kishan as a blind youth. Who has previously made himself noticeable in minor villain roles in some films. Has risen as a protagonist in this film. He has brought the character to the forefront.
Arjun Das is asked who is the little villain in the movie Prisoner. Rise to him as the protagonist in this film. Frequent phone calls confuse him and make him understand exactly how a mentally ill person will behave.
On the one hand Vinod Kishan, on the other hand Arjun to act a little more, on the other hand Kumar Natarajan scores without any hesitation. We would not have been a little confused if he had at one point told us what he was using the mental patients who came to him for treatment. It could have been said immediately after the break without taking it until the climax.
Pooja Ramachandran and Misha Koshal are two more important female characters than the heroines of the film. Even choosing to play these characters in almost identical guises seems to deliberately confuse us.
When the two come up with the same make-up and hairstyle, there is confusion as to who is Vinod's teacher and who is Arjun's girlfriend. According to the story, they have given a little more importance to Pooja than Misha.
Vinod's uncle, a theater owner, Vinod's cheating real estate broker, and Kumar's friend's doctor have also taken notice of his characters.
From the very beginning of the film Edwin Soke has set the lighting to such an extent that it makes us guess what kind of film it is. Pradeep Kumar's background music adds to the excitement of the scenes.
Even if it is said to be a good effort, if it is said in the way it should be said, darkness will keep saying damn.
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